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FEATURES
23 March 2026
ContentAsia Awards Focus: The Making of... “Hotel Saltwater”
Based on Chen Tseng-chih’s 2017 book "Hotel Saltwater: Tai Chen-yao’s Revolutionary Youth", "Hotel Saltwater" (鹽水大飯店) is about an agricultural reform activist in the 1970s, when Taiwan was under martial law. The 2024 prime-time period drama was produced by PTS for Taigi TV.
23 March 2026
Peter Chan is Scratching His Head About the Future. Should We All Be Worried? And Other Moments From a 9/10 Week at Hong Kong Filmart
The 30th edition of Hong Kong Filmart closed on Friday evening with – as expected – microdramas and AI front and centre of the conversations; hot and cold running location incentives and production rebates; enthusiasm over high-end TV series and Chinese films; and free-flow BL/GL stars from Thail
17 March 2026
Moscow Calling: What's Attracting China's and Southeast Asia’s Film Industries to the Russian Capital?
As government-backed cooperation agreements extend through 2030 and production costs climb across traditional shooting destinations, Moscow is positioning itself as Eurasia's most compelling alternative for Chinese and Southeast Asian filmmakers.
9 March 2026
ContentAsia Awards Focus: The Making of... "Deep Current: Architecture of Taiwan"
TaiwanPlus factual series, "Deep Current: Architecture of Taiwan" – winner of the ContentAsia Awards 2025 Best Factual Programme Made in Asia for Multiple Asian and/or International Markets category – is an eight-episode docuseries tracing the fusion of history and global influence
9 March 2026
Japan dominates GagaOOLala’s 2025 BL rankings; Chinese-language dramas sweep top three BL series, Taiwan and Japan lead GL list
Japan dominates GagaOOLala’s 2025 Global Top 10 boys’ love (BL) series list, taking six of the 10 spots, although Chinese-language titles claim the top three positions on the Taiwan-based global LGBTQ+ streamer.
23 February 2026
“I want people to have fun, not really bother about the message”; Indonesian filmmaker Edwin on horror fantasy feature “Sleep No More”
On one hand, Indonesian filmmaker Edwin has delivered a deeply creepy, darkly comic comment on labour, greed and capitalism in his latest film, Sleep No More. On the other, he really wants audiences to have fun with the feature, and not be overly bothered about the message.  
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