Vietnam and Thailand run neck and neck as Asia’s top formats countries by volume. But overall, the number of formats on air/commissioned in more...

India’s Hindi film focus on cinema multiplexes – once seen as an industry saviour – has come back to haunt filmmakers. Can this “multiplex more...

Asian drama has a whole new international profile, thanks in large part to global streaming platforms, but also because of a gigantic more...

Romance is, by far, Asia’s most popular drama, and China is, by far, the biggest drama buyer. No surprises there. Meanwhile, India owns more...

If anyone still needs a reminder, mainland China’s absolute power was on full and glorious display at this year’s Filmart in Hong Kong in more...

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StarHub CEO, Tan Tong Hai, hurtles towards the end of his career at the Singapore telco with (clearly) undiminished enthusiasm for the more...

Celestial Tiger Entertainment’s (CTE) Celestial Classic Movies channel enters the Year of the Dog with an acronym, its first new look ever more...

Trust and money. Those were the two major hurdles that stood in the way of New Delhi-based freelance journalist and filmmaker Mandakini more...

POPS Worldwide founder and CEO, Esther Nguyen, talks about taking POPS Worldwide from zero to the top digital network in Vietnam, with 2.5 more...

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